This series contains sketches, drafts, and revisions of the score; a sound recording of the score; correspondence; concert programs; program notes; and reviews. The correspondence includes letters concerning the publication and performance of the work. In particular the series includes letters to and from Ken Dorn of Dorn Publications, Inc., the publishing company that ultimately published the piece, as well as a copy of the publishing contract.
Drafts of the score consist of early sketches and revisions of sections of the work. These drafts contain detailed notes and corrections that document the process of composing the piece, including some annotations that appear to be performance notes. Manuscript masters and the Ozalid masters show minor revisions that were made to the score right before its publication.