Joan E. Biren (b.1944) grew up in the Washington, D.C. area, graduated from Mount Holyoke College in 1966, and pursued graduate training in political science at Oxford University and communications at American University. Biren joined the women's liberation movement in Washington D.C. in 1969. Coming to feminism with her New Left political science background, Biren was particularly involved in the formation of feminist theory. Biren and others (including Rita Mae Brown and Charlotte Bunch) formed a lesbian-separatist collective, the Furies, in 1971. Though the collective was short-lived, it had, through its publications, a significant impact on the strategies of the women's movement. Biren taught herself photography because "I needed to see images of lesbians." She is best known for her photographic portraits, some of the earliest documents of late 20th-century lesbian life. Realizing the need for affirming images and self- expression outside of traditional patriarchal language, her work has appeared in off our backs, The Washington Blade, Gay Community News, and on countless LP album and book covers. Biren published two ground-breaking collections of her photography: "Eye to Eye: Portraits of Lesbians" (1979) and "Making A Way: Lesbians Out Front" (1987). In the 1990s, Beginning in 1979 Biren toured the country presenting her slide show "Lesbian Images in Photography, 1850 to the present" to women's groups. Other shows followed and gradually Biren moved from still photography to filmmaking. She documented the 1987 and 1993 gay and lesbian marches on Washington in For Love and For Life and A Simple Matter of Justice and in 2003, an award-winning film on lesbian pioneers Del Martin and Phyllis Lyon, "No Secret Anymore: The Times of Del Martin and Phyllis Lyon."